Cinematic Vision Rising
Inspire 2 Compatibility
Super 35 Sensor
5.2K Apple ProRes
14 Stops of Dynamic Range
24 MP Stills
DJI offers four prime lenses for the DL-Mount system, with focal lengths ranging from 16-50 mm and resolutions of up to 8K. Made of lightweight carbon fiber and designed by world-leading optics teams, the four lenses have been embedded with advanced technologies crafted specifically for the X7’s high-end image sensor.
DL-S 16mm F2.8 ND ASPH
DL 24mm F2.8 LS ASPH
DL 35mm F2.8 LS ASPH
DL 50mm F2.8 LS ASPH
A Game Changer from Shoot to Finish
To unlock the wide-ranging possibilities of DJI professional imaging systems and open?more room for post-processing aerial photography in filmmaking, DJI is proud to introduce the brand new DJI Cinema Color System.
The new color system consists of a new D-Log curve and a D-Gamur RGB color space. With professional cinematography in mind, the D-Log can encode 15 stops of dynamic range, 2 stops higher than the Zenmuse X5S. Even in poor light conditions, the X7 can still preserve stunning detail in shadows and highlights, leaving more room for post-production creativity.
D-Gamut covers the entire DCI-P3 color space commonly used in filmmaking. Tailored for aerial cinematography and stills photography, D-Gamut provides larger green tone coverage, delivering beautiful green gradation for your shoots.
D-Gamut also offers optimized skin tone adjustment by moving these tones to their most suitable chromaticity, ensuring wind colors are reflected from every inch of skin. By applying the dedicated 3D-LUT in color grading, skin tones will softly transition, even with wide exposure differences. When designing D-Gamut, we considered manual color grading, preventing skin tones from turning yellow when editing without 3D-LUT or color management.
We are now working with multiple professional post-processing software companies to include D-Log and D-Gamut in their software to achieve universal compatibility with mainstream cinematic workflows as soon as possible.